Faucet Basics: Part 5 Faucet Finishes

Stainless steel fau­cets don't need finishing. The material itself is the finish. But, most fau­cets are made of brass, a copper alloy.

Refined copper is what is known to chemists as a reactive metal. Left to its own devices, it makes strenuous efforts to return to its pre-refined stable state as copper oxide.

We view copper oxide as tarnished copper or verdigris (a word adopted from the French which means "green-gray", the actual color of copper oxide).

To make copper less reactive and stronger, it is usually alloyed with a less reactive metal, such as tin to make bronze, or zinc to form brass. Brass tarnishes less violently than copper, turning that golden brown color that we usually think of as "antique brass".

Native brass, however, still requires a lot of care.

To reduce maintenance and increase durability, brass used in fau­cets is given a protective coating.

The most common coating is a layer of a low- or non-reactive metal, usually chrome, that does not require maintenance.

Lacquer, paint, and powder coatings are also used. They are less robust than the metals but they come in colors that metals cannot match. At least, not so far.

Metal Finishes

The most common finish used on fau­cets is chrome. Chrome does tarnish but the tarnish forms a very thin coat on the metal which is nearly invisible and which prevents further tarnishing.

The original fau­cet finish widely used in the late 19th and early 20th centuries was not chrome, however, it was nickel.

Native nickel tarnishes very slowly at room temperature, and when alloyed with zinc and copper, tarnishes barely at all. Its disadvantage, however, is that it is a soft metal and shows wear rather quickly.

When, in the 1930s, chrome became widely available, it quickly became the preferred fau­cet finish.

Nickel is, however, making a comeback. With improvements in metallurgy and new methods of applying nickel to brass, including PVD (see below), the metal has seen a resurgence as a fau­cet finish.

Highly polished and brushed nickel finishes are the most popular. Brushed finishes have the advantage of not showing water spots or minor scratches as readily as polished finishes.

Bronze is also a perennial favorite fau­cet finish. How­ever, some finishes called bronze are not actually bronze. They are powder coatings that look something like aged bronze.

Bronze can take on a variety of shades that vary from light brown to nearly black. Basic bronze is usually a light brown color. Oil-rubbed bronze (which is, of course, neither oiled nor rubbed), is darker and usually a non-metallic coating.

As a general rule, if the manufacturer calls the bronze a "living finish", it is probably not a metallic coating. If it has a lifetime warranty, it is probably metal but not necessarily actual bronze.

It may be a less-reactive metal made to look like bronze.

Copper can be applied to brass as a finish but most copper fau­cets are actually made of copper. We know of no pure copper fau­cets made in North America, but they are somewhat popular in southern Europe. Most seem to be made in Italy.

Copper is a component of brass, and although softer than brass, it still works well as a fau­cet material.

The advantage of a solid copper fau­cet over a brass fau­cet is that the fau­cet is guaranteed lead-free. The disadvantage of copper is that, like brass, it tarnishes over time if not coated with a protective coating of some kind. The traditional coating was a lacquer.

Today a simulated copper finish applied using PVD (see below) is replacing actual copper as a fau­cet finish. The simulated copper finish, made from zirconium or titanium, still looks like copper but does not tarnish, and is very scratch resistant.

RAL Colors

RAL is a collection of color standards originally developed in Germ­any and administered by RAL GmbH, a non-profit company.
They are used in Europe to define colors for paints and powder coatings which allows manufacturers to specify exact colors using a four-digit code (i.e. RAL 3028 Pure Red).
The advantage of the RAL system to consumers is its precise color matching.
You can buy a RAL fau­cet from and as long as the RAL color codes are the same, the colors will be an exact match.
A handy chart of RAL colors can be found on RALColor, in six languages.

Pick any other low-reactive metal and odds are someone probably has made a fau­cet finish out of it.

Gold, while not common, is available by special order from some high-end manufacturers. Zinc has a following as a heritage finish, as does pewter (another copper alloy, this time with bismuth, antimony, and silver). Both can be electroplated on brass.

In addition to the classic metal finishes, fau­cets can be finished in most colors of the rainbow.

The colors available vary widely from manufacturer to manufacturer and many fau­cet companies do not offer non-metallic finishes at all.

Most colors are applied using some form of paint.

Powder coating, a process of applying dry pigments that are then hardened in an oven, is the most popular method of "painting" a faucet.

Some finishes are a glass-based glaze similar to the finish on bathtubs and toilets.

Paints do not bond to the underlying metal like the metallic finishes. In consequence, painted coatings are somewhat brittle and can chip if not handled carefully.

Certain fau­cet makers, those that also make sinks, use non-metallic coatings to finish their fau­cets to exactly match their sinks.

The coatings are usually not the same glazing materials used on the sinks, but a powder coating carefully matched to the same color and sheen. for example, finishes some of its upscale fau­cets to exactly match its engineered granite sinks.

Ceramic and Glass Faucets

Some fau­cets are essentially pottery.

They are made in part of vitreous china, just like sinks, and can be glazed to exactly match a sink.

formerly offered fau­cets in the same enamels as its sinks and toilets. Unfortunately, these have now been discontinued.

Image Credit: Kohler, Inc. Kohler Bol and Vas fau­cets featured a porcelain spout that exactly matched the finish on the company's porcelain sinks.

Metal can also be coated with glass enamel. The technology dates from the late 1800ss and is used widely to protect iron and steel bathtubs and sinks, so why not fau­cets?

Most fau­cet finishes are engineered to look out-of-the-box new for as long as possible.

Living finishes, by contrast, are designed to look old and worn out of the box and continue to look even older and more worn with use and age.

Sometimes called organic finishes or architectural finishes, these finishes are favored in many vintage restorations such as reproduction heritage baths and kitchens.

They are from one perspective the most maintenance-free of all fau­cet finishes since the owner is not supposed to do anything to keep the fau­cet from graceful aging.

The effects of age and use are intended to enhance the rustic look of the fau­cets.

They are not usually not covered by any warranty. Since they are supposed to show wear and tear with use over time, there is really nothing to guarantee.

Faucet Finish Technologies

How a fau­cet finish is applied makes a big difference to the durability of the finish. Three methods are commonly in use: electroplating, physical vapor deposition (PVD), and powder coating.

A fourth process, Thin Film Ceramic (TFC) is just coming into use in the fau­cet industry.

Powder coating is the process of applying pigmented finishes to a fau­cet in powdered form. The term "dry paint" is not exactly correct but close enough.

The technique has been around for a long time.

It was developed 80 years ago during the Second World War as an alternative to slow-drying liquid paint to speed up wartime production of armaments, most of which needed to be painted.

A powder used to powder coat really is a powder, similar to baking flour, sold by the pound in over 65,000 different colors which can be blended to produce a virtually unlimited rainbow of hues and tones.

It is usually applied with a special low-velocity spray gun that disperses the powder while giving it a positive electrical charge. The particles are drawn to the fau­cet which has a negative charge.

The fau­cet is then baked in an oven at about 400°F which melts the powder and changes the structure of the coating into long, cross-linked molecular chains.

These chains are what give the coating its durability, reducing the risk of scratches, chipping, abrasions, corrosion, fading, and other wear issues.

Powder coatings create finishes in colors not possible using other finishing technologies, including just about every color in the rainbow and finishes that emulate stone and other textures.

It is by far the most flexible and adaptable for the finish technologies and is the finishing technique most often used to create living finishes with their varying tonality and textures.

The process is considerably less burdensome to the environment than electroplating which uses toxic chemicals that have to be disposed of carefully.

It is also less expensive than PVD finishes which require a substantial investment just to get started.

The singular disadvantage of the technique is that the resulting finish is not as resistant to wear and damage as the finishes produced by other technologies.

a company that makes extensive use of powder coatings to create its fabulously inventive finishes, characterizes the finish as "semi-durable".

It is more robust than most liquid paints, but not nearly as wear-resistant as the metallic finishes.

Powder coatings also have to be applied in relatively thick coats to avoid defects like orange peel –a mottled, uneven surface. The thickness can obscure fine detail.

Electroplating (technically, electrolytic deposition) is the old standard.

It involves immersing the fau­cet and the metal to be used as plating in an acid bath, then applying an electrical charge to both objects so metallic ions are drawn from the plating metal to the fau­cet. If the fau­cet is left in the solution longer or electroplated several times, the plating is thicker. For thin plating, the immersion lasts just a few minutes. Thick plating takes longer, up to several hours.

One of the limitations of electroplating is that it is not usually possible from inspection alone to determine whether a fau­cet is thin- or thick-plated.

When Chinese-made fau­cets were first placed on the market, their electroplated finishes were justifiably panned for being thin and fragile. It has been many years since this was a problem but it illustrates that it is not possible to visually examine a fau­cet to determine the quality of the plating.

The best way to avoid plated finish problems is to look to a known company with a solid reputation for your fau­cet and be aware that a fau­cet with a short finish warranty, 5 years or less, is more likely to end up with plating problems. If the seller had complete confidence in its finishes, it would offer a lifetime finish warranty.

The electroplating process is scalable. While large companies have usually automated their plating operations, smaller manufacturers can electroplate equally well using a hands-on process little different from that used in 1900.

Boutique fau­cet makers rarely invest in very expensive PVD technology (see below), offering instead some exquisite hand-plated and polished finishes.

Even on a small scale, however, the process is inherently dangerous, involving very corrosive acid solutions, and resulting in waste by-products that can be very hazardous to the environment if not properly disposed of. a fau­cet company based in Brooklyn, was caught dumping hazardous electroplating waste into the New York sewer system, was fined mega dollars, and narrowly avoided criminal prosecution.

Plating often involves several coats. Some metals cannot be plated directly to brass, so an intermediate metal (usually nickel or zinc/nickel alloy) undercoat may be necessary.

Undercoats are also used in high-quality fau­cets to even out any small imperfections in the brass before it is given its final finish. A highly polished final finish may require two or more undercoats.

A small forest of kitchen fau­cets in PVD finishes from Galley Tap. Underneath these remarkable finishes is a fau­cet made of low carbon 316L stainless steel for maximum corrosion resistance.

PVD brasses and coppers are not actually brass or copper but a more durable metal such as zirconium nitride for a brass or copper look without all the brass and copper maintenance.

Some metal finishes such as black, not available in nature, can be induced through PVD.

Undercoats can also be used to reduce costs. Chrome is imported, and expensive, nickel is domestic, and not expensive, so a nickel undercoat means that less chrome needs to be used to achieve the same quality of finish.

PVD, also called "thin film physical vapor deposition", is the latest space-age fau­cet finishing technology, rapidly replacing electroplating as the finish of choice.

It's fairly new. Forty years ago PVD barely existed outside of a few laboratories. Its first use in industry was to coat the steel components used inside nuclear reactors. It was the only finish that could survive in that hellish environment.

Today, the technology is everywhere, and the machines required are getting smaller, faster, and cheaper all the time.

In a few more years your local auto repair shop may have one in the backroom to freshen up the chrome on the bumper of your F-150. But, alas, not yet.

The process is almost science fiction.

Load a chamber with unfinished fau­cets, then remove all the air and add back a carefully calculated mix of nitrogen and reactive gases. Add a chunk of the metal to be used for the coating, usually in the form of a rod.

Heat the rod to a temperature so high that the rod dissolves into individual atoms. The atoms mix with the various reactive gases to get the color and finish effects you want and are then deposited in a very thin layer — 2 to 5 microns (.00008-.0002") — on the fau­cets.

How thin is .05 microns? Well, a human hair is about 70 microns in diameter, so you figure it out. It's pretty thin, barely the diameter of a single atom.

A selection of PVD finishes offered by PVD Coatings, a company that specializes in PVD finishing.

Depending on the metal hydride and mixture of reactive gases used during the PVD deposition process, different colors can be produced including brass and gold tones, black and gray, nickel, chrome, and bronze tones, in a polished, satin, or matte finish.

The company even offers black, a metallic color not found in nature.

But, because the coating bonds to the fau­cet at a molecular level, the finish is incredibly hard — Rockwell HRC-80+ and Vicker HV-2600+. In abrasion tests, PVD finishes were found to be 10 to 20 times more scratch-resistant than the old standard: chrome electroplated finish.

Two basic PVD processes are used to apply thin coatings to fau­cets: sputtering and arc vapor deposition (AVD).

In sputtering, a magnetron is used to vaporize the finishing metal into a plasma that coats the fau­cets.

AVD does the same thing using a low-voltage electric arc to vaporize the metal. The lower temperature of the ARC process makes it more flexible. It can be used to coat plastic fau­cet parts that would melt in a sputter machine.

The coating material must be a metal nitride but the object being coated can be almost any material. It's possible to deposit metal on plastic, which is what makes inexpensive plastic fau­cets look more expensive.

Undercoating is usually required for highly polished finishes because, unlike electroplating, PVD has no gap-filling properties at all. Any scratch or mar on the fau­cet body will show through the finish so the item being coated must be smooth and polished before the finish is deposited.

It is not uncommon to find two or even three electroplated undercoats beneath a PVD final coat.

Only certain metals can be used as a coating material because any metal used must be tough, durable, low-reactive, and capable of forming a nice cloud of ions.

Three metals are commonly used for decorative coatings: titanium, zirconium, and chromium. These are used to simulate many other metals that are not suitable for PVD, or which, being reactive, do not make good finish materials. Gold is another metal that can be used but it's very expensive.

Different finish effects can be produced by varying the mix of reactive gases used during the deposition process, including brass and gold tones, nickel, chrome, and bronze tones, in a polished, satin, or matte finish.

Brass-look PVD finishes, for example, are not brass but commonly titanium, a dull gray metal in its natural state, that can be used to simulate yellow metals such as brass dnd gold by applying it in a gas mixture rich in nitrogen.

Adding methane to the mix reddens the color, producing a rose gold or copper look. A touch of acetylene darkens the finish to produce an antique or vintage brass effect.

Chromium (chrome) is used to imitate silvery metals. Combinations of metals and various mixes of nitrogen and reactive gases are used to achieve interesting finish effects such as the various bronzes, antique brasses, and nickels. Some manufacturers have managed to create metal finishes that do not exist in native metals, such as black. Chrome, however, is still chromium, although PVD chrome is much harder than electroplated chrome, and to be preferred.

The limitation of PVD is the cost. The initial investment for the equipment is coming down but still very high, and the process is relatively slow compared to electroplating. It takes longer and costs more. So, expect to pay more for a PVD finish over electroplating. For your money, however, you get a no-kidding lifetime finish.

To watch a California Faucets PVD sputter machine in action, click here, and prepare for loud noises.

Thin Film Ceramic

Relatively fragile powder coatings are falling out of favor in the fau­cet industry as PVD is coaxed by engineers and materials chemists into reliably producing the colors and finish effects that were once available only as powder coatings.

Also promising is a new type of liquid paint called thin film ceramic (TFC).

Initially used to protect hard-use items like fire­arms and military field equipment, TFC has begun appearing on fau­cets.

Its advantage over powder coatings is its microscopic ceramic particles. Em­bed­ded in the material, these nano-ceramics make it nearly as resistant to scratches and other environmental hazards as PVD coatings, and by some accounts, even more resistant.

Its advantage over PVD is that it does not require a large upfront investment in specialized equipment that may cost upwards of $100,000.

It needs only a standard spray booth and a low-temperature industrial oven to cure the paint – equipment that most coatings applicators already own.

Several fau­cet companies are experimenting with the technology, but, as far as we know, the only company currently using the technology is an innovative company whose color-finished fau­cets are definitely worth a look if is color you have in mind for your fau­cet.

Split finishes

Faucets are not limited to just one finish. Many manufacturers offer what is called a "split finish" which usually consists of a base finish and an accent finish. Generally, split finishing is done before the fau­cet is assembled, some parts being finished with a base finish, others with the accent finish. Then the fau­cet is assembled.

Split finishes are usually custom finishes and cost more (sometimes a lot more) than a single finish. However, standard split finish fau­cets are starting to appear. for example, is offering several of its fau­cet collections with standard split finishes.

Hydrophobic & Oleophobic Coatings

Some faucet finishes are given a final coating to combat water spots. Some of these coatings are also anti-microbial, reducing bacteria and mold accumulation.

These are what are known as . They are formulated at the molecular level to shed water.

Because water does not stock, it does not dry on the faucet leaving what are called water spots.

Many are also . They repel oil such as the oil on your fingers which makes them fingerprint-resistant.

They are somewhat fragile, however. Any sort of harsh cleanser will likely damage or remove them. Generally, the company that provides them will publish very detailed care and cleaning instructions that should be carefully followed to preserve the coating.

Typically these coatings are very thin, as thin as 2-4 , so thin that they do not obscure the finish under the coating or change its appearance.


Much of the difference in price between a quality production fau­cet such as is polishing.

Most electroplated fau­cet finishes are not quite perfect when they emerge from the finishing process. They then have to be polished.

In most mid-range fau­cets, the polishing is by machine at the end of the process. To achieve the trademark lustrous finishes of For high-end fau­cets, meticulous, very skilled, and time-consuming hand polishing is required — not just once, but several times.

First, the native brass is polished to a high sheen to remove all possible blemishes. Then the fau­cet is undercoated, perhaps several times, usually with nickel. The undercoats are given a careful hand polish. The finish is then applied in one or more coats. The fau­cet gets a final hand polish.

Hand polishing is an art that takes a lot of time to master. Too much polishing can cut through the finish and expose the undercoat. Too little polishing does not produce the desired brilliance. The time and effort are worth it, however. The luster and depth of high-end finishes are unmatched, and a sure sign that the fau­cet is a premium product.

Rev. 05/20/23